Category: Literary Fiction
Author: Sarah Meehan Sirk
Format: Ebook via NetGalley, 247 pages
Publisher: Anchor Canada
Pub Date: August 8, 2017
Summary from Publisher:
Perfect for readers of George Saunders, Jennifer Egan and Heather O’Neill, a rich and inventive collection of exquisite short stories by a major newcomer to Canadian literature.
In this deeply felt, compulsive and edgy work, Sarah Meehan Sirk shines a distinctive light on love and death in their many incarnations, pushing against the limits of the absurd while exposing piercing emotional truths about what it means to be gloriously, maddeningly alive.
In The Dead Husband Project, an artist who has planned to make an installation out of her terminally ill husband’s dead body has to recalibrate when his diagnosis changes. In The Date, an online dating match takes an unusual turn when the man who shows up to the restaurant has no face. In Ozk, a young girl longs to connect with her socially isolated mother, a professor of mathematics who makes a radical discovery.
Uncanny, sometimes violent, achingly sad and always profound, these stories showcase a writer with skill and empathy, and draw us in with a steady, unyielding grip.
- From Goodreads
With a title as intriguing as The Dead Husband Project and an equally gorgeous, floral cover, this short story collection by Sarah Meehan Sirk is deceitfully dark and foreboding—and yet the 14 stories in their entirety provide a spyglass to several broken and resentful characters who find themselves navigating within some strange, almost absurd plots.
From different contexts that deal with the exhibition of death as art; to the absence of maternal love in lieu of obsessive ambition and research; adultery with life-threatening ramifications; emotional adultery and its resignation; the death of a loved one; the inevitability of aging; the submission to betrayal in friendship; the weary disconnect in relationship; to the turmoil of grief and loneliness—while these stories share burdensome contexts, the writing itself can at times, seem heavy-handed, not striving to be succinct, but rather succumbs to unnecessary explanation, which can and often does feel cliché.
What could be a collection of complicated characters with a variety of emotional landscapes in stories of obsession, pain, loss, grief, and love; instead contextualizes a narrative, which fails this intent. Otherwise, the stories themselves hold the potential of depth and retrospection.
And while the beginning of most of the stories in the collection show promise of not only interest, but depth, their endings rely on a self-conscious narrative that feels the need to “tie up loose ends” with the explanation of circumstances and/or the end result of emotions felt by its thwarted and disappointed characters—which most of them tend to be.
But, where the narrative in the book can sometimes fail, the stories’ dialogue on the other hand, can and most often does sound true. There’s also a tenderness in some details found in such stories as Ozk or The Centre.
While most of the characters are unable to incite full likeability in its readers, one can empathize with what these characters might feel considering how absurd or surprising the plots they find themselves in.
Perhaps the plots’ themes were too large or extraneous: Cancer, coma, HIV, adultery, abandonment—relying instead on the significance of their emotional magnitude and crisis, rather than focusing on truths that can be shared in more daily, simple struggles or outcomes for those who experience such dilemmas.
If not for the design of its cover, nor the intrigue of its title, and the ambition of its poorly executed imagination—The Dead Husband Project, would remain an inert collection of stories perhaps better left on the shelf.
Yet, there’s still hope. It is only a debut novel, after all.
Should Sarah Meehan Sirk hone in her creative writing skill with less explanation or a self-conscious narrative that compels itself to obvious closure, her imaginative power may then truly explore and execute the potential profoundness of what could essentially be her work.
Characters: 2.5 stars
Plot: 3 stars
Language/Narrative: 2.5 stars
Dialogue: 2.5 stars
Pacing: 3 stars
Cover Design: 4 stars
A special thanks to Penguin Random House Canada on behalf of Anchor Canada for providing me with an e-book of The Dead Husband Project by Sarah Meehan Sirk through NetGalley in exchange for an honest and timely review.
About the Author:
Sarah Meehan Sirk is a writer and radio producer. Her fiction has appeared in various journals and magazines and is anthologized in The Journey Prize Stories.
At the CBC, she’s produced for national shows including Q (now q) and Day 6, and hosted the 2015 summer series Stripped. Before that, she produced a Toronto crime show, hosted sports programs, filed human rights reports with Ghanaian journalists in West Africa, and co-produced, wrote, and hosted a short TV series on minor hockey that was nominated for what was then known as a Gemini award (it lost to the Olympics.) She has also produced a son, and a daughter.
She studied math and philosophy at the University of Toronto, and was mentored by David Adams Richards at the Humber School for Writers. She lives in Toronto with her young family. The Dead Husband Project is her first book.
- From Goodreads